16.02.08 Ben Long, Grafik Magazine, Special Report Art, February 2008
12.12.13Motala & Vadstena Tidning Magazine features Helga Steppan October 2013
07.12.13Martin Jenner from 'A KIck Up The Arts' comments on Iain Andrews' first London solo exhibition, 'Il Teatro dei Leviatano'.
07.12.13Winsor & Newton comment on Iain Andrews 'Interpreting Old Masters with Acrylics'
07.12.13Fetish Form review Wieland Payer's solo exhibition at Man&Eve
Welcome to our annual adventure into the art world. This year, as well as features on Toby Paterson’s painted visions of modernism, Peter Saville’s genre-defining wisdom and Gareth Jones’s reinterpretation of Oscar Wilde, we’ve enlisted the help of London-based artist Ben Long to create our cover.
Long makes sky scraping sculptures out of scaffolding, and created the typographic construction on the cover especially for us. Keep your eyes peeled next time you pass a building site—you might spot one of Long’s other scaffolding works. Each one stays on display for a set period of time before being dismantled, transported to another UK building site and rebuilt as a new work. He describes the process as “similar to working with Lego or Mechano, but on an architectural scale.” At the moment Long has his sights on Elephant & Castle’s regeneration zone, which will soon become a huge building site and home to another of his sculptures.
As well as throwing up masterpieces in scaffold, Long is handy with his digits—another long-running project is Truck Drawings, for which he uses his fingers to draw intricate, decorative compositions into the grime on the back of haulage trucks (leading the classic van-grime graffiti “my other van is white” to a beautiful conclusion). Long works mainly at New Covent Garden Market, where each drawing takes two-to-three hours and is then sent out into the world as the lorries go off to make deliveries around the country.“I’ve always been interested in finding ways to make art so that the end product becomes an integral part of people’s daily lives,” says Long. He certainly succeeds, and also does a very fine job of turning corners of the world usually devoid of beauty into surprising sources of visual delight.